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Brian Tripp receiving the 2018 California Living Heritage Award. Photo from Alliance for California Traditional Arts
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The title of the mural is a reference to a line in a poem written by Brian Tripp, a Karuk artist and cultural leader. Tripp was born in 1945 in Eureka, served in the Vietnam War, and then went on to study and later teach art at Humboldt State University. He is well known for his inclusion of traditional icons and symbols from the Karuk people in his visually impactful pieces, many of which include references to geographic locations in the Karuk homeland. A large amount of his work came into being and was influenced by cultural revivals happening on Karuk lands in the 1970’s and 1980’s, and Tripp himself was involved in the bringing back of traditional ceremonial dances, and activism against projects like the Gasquet-Orleans Road which threatened sacred sites in Karuk territory. He received the Alliance for California Traditional Arts California Living Heritage award, the highest award given by the Alliance, in 2018. Brian Tripp began his journey home on May 13, 2022, at the age of 77. His obituary, written by his loved ones, can be read in its entirety here. |
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Alme Allen is a Karuk and Yurok artist born in 1970 and raised in Orleans, CA- the traditional homelands of the Karuk. He participated in the ceremonies that Brian Tripp and other Karuk cultural leaders were reviving at the time. These experiences inform his artwork which can be seen around Humboldt County, from concrete cast chairs based on traditional wood-carved stools at Humboldt State University’s Native Forum and on the Waterfront Trail in Eureka, to the mural painted just last year on the side of the Discovery Shop in Henderson Center which is featured on 2021's Street Art Festival poster to the mural being reinstalled at the Clarke in 2021. Allen invests time in the community by teaching traditional carving, which was something he had learned when he was young.
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In an interview with the City of Eureka on his Eureka Waterfront art installation which includes a motif from the “Sun Set Twice” mural, Allen says “It has been an honor to conduct this work that has brought so many feelings and emotions not only for me, but for many community members as well. And to once again pay tribute to a very sacred place, Tuluwat (Indian Island), where its People will return and dance on the island again. In many ways I’m fortunate to have this opportunity to help tell a new story for a new generation about a place where the People came to bring balance and rid sickness from their world. This is a story that is not about a great tragedy, but rather about renewal, respect and healing a community. As sure as the sun sets, it will surely rise again and it’s up to us how we choose to stand in tomorrow’s light”.
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| layers_of_meaning_by_katie_buesch.pdf | |
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