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Newest Community Loan for Women's Ceremonial Dresses: Long Ago to Today

4/28/2019

5 Comments

 
This week, we'll be hearing from Nealis Hall Curator and Registrar Brittany Britton on a dress being loaned to the museum for our display on women's ceremonial dresses.
PictureLeona Wilkinson and Cheryl Seidner, Wiyot tribal members, and participants in the Wiyot Women's Group who assisted in making the Wiyot dress dropping off the loan.
As a part of the Women’s Ceremonial Dresses: Long Ago to Today, our goal was to ground the exhibit with the historic dresses from the collection ranging from the late 1800’s to the 1960s, and cycle through a rotating selection of community loans of contemporary counterparts. This tradition of making and ceremony is an unbroken path of resilience and adaptation to new materials and ways of making. For the newest dress loaned to the museum we are pleased to have on display a dress made by and for the Wiyot tribe in 2006.
This dress was made over the course of two years from 2004 to 2006 for Michelle Hernandez, a Wiyot Tribal member, as a part of a journey for the Wiyot Tribe of seeking, finding and completing a coming of age ceremony that hadn’t been done in decades. This dress is a small part of that ceremony and journey; it was lovingly made by community members and Michelle’s family for her coming of age ceremony. The Wiyot Tribe generously loaned this dress for the spring for this Women’s Ceremonial Dress exhibit. This dress is a connecting point of a revival of ceremony, of making and coming together as a tribal community. The dress here more than a finished project, it is made of deerskin, shells, beads and represents hours of prayer and artistry. 

PictureThe Wiyot Tribe's dress on display at the Clarke Museum
​"Upon moving to the Table Bluff Rancheria from Sacramento Valley, Michelle Hernandez asked a simple question: How did the tribe celebrate a girl’s passage into womanhood? The answer to that question began the quest to bring back traditional practices. Recreating a ceremony that hadn’t been celebrated in over 150 years required many people, many hours of research and work, and the long term commitment of tribal participants. The Wiyot Women’s group created the dance dress, and the Wiyot men’s camp learned songs and dances that haven’t been performed in over a century. Other local tribes also brought skills and knowledge to the ceremony. Many helped in the process – local artist and Karuk/Yurok/Hupa tribal member Lyn Risling brought her personal research and experience to the ceremony; the Bureau of Land Management provided access to the south spit site; the Hernandez family learned the strict protocols to follow; tribal staff spent hours removing invasive vegetation to create the dance area." (From Rebirth Into Womanhood: A Coming of Age Journey, presentation by Wiyot Tribe)

The materials are more on the traditional side being made of deerskin, clamshells, pinenuts, abalone, Beargrass wrappings and minimal glass beads. The materials and design of the dress is from the Wiyot Women’s group that assisted Michelle and her family in creating this dress alongside a bark skirt that was worn for the coming of age ceremony. The dress was ultimately donated to the Wiyot Tribe for safekeeping and so it would be danced again.
​

Come visit the Clarke Historical Museum to see this dress in person, and the narrative of the story of this dress as representation of the continuing journey for ceremony for the Wiyot Tribe.
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The newest addition to the Clarke Historical Museum's exhibit, "Women's Ceremonial Dresses: Long Ago to Today," highlights the enduring cultural significance of ceremonial attire through the lens of the Wiyot Tribe's recent revival of a traditional coming-of-age ceremony. This dress, which was meticulously crafted from 2004 to 2006 by members of the Wiyot community, symbolizes not only the artistry and dedication of its creators but also the resilience and continuity of Wiyot cultural practices. Made from deerskin, clamshells, and other traditional materials, the dress reflects a broader effort by the Wiyot Tribe to reclaim and revive ceremonies that had been absent for over a century. The process of creating this dress involved extensive research, community involvement, and collaboration with local tribes and organizations, demonstrating the collective effort to reconnect with and sustain cultural heritage. By showcasing this dress, the museum provides a powerful connection between past and present ceremonial practices, offering visitors an intimate glimpse into the Wiyot Tribe's journey of cultural revival.

The narrative surrounding this ceremonial dress extends beyond its physical appearance to embody a larger story of cultural perseverance and community engagement. The Wiyot Tribe's initiative to reconstruct and perform traditional rites of passage, including the creation of this dress, highlights the significance of such practices in maintaining and strengthening cultural identity. Visitors to the Clarke Historical Museum can experience this living tradition firsthand, gaining insight into the processes and challenges involved in the revival of ceremonial practices. The exhibit not only educates the public about the historical and cultural context of the dress but also underscores the importance of preserving and celebrating indigenous heritage. This display serves as a testament to the enduring spirit of the Wiyot Tribe and their commitment to honoring their traditions.

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This enlightening article on women's ceremonial attire masterfully illustrates how things have changed over time. Hindu Wedding Dress The idea of community loans provides something special while protecting cultural treasures. An intriguing article that offers some insight into the lengthy history of these gowns.

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